Magnus Plessen's 'The Skin of Volume' exhibition was my first visit to the White Cube Gallery, Mason's Yard. One of four White Cube sites across London, this petite gallery tucked behind The Ritz was an old electricity station in its former life. Today, it features an expanding programme of exhibitions, hosting a wide range of art from international artists.
In this exhibition, Magnus Plessen presents a series of provocative images exploring the impact of war on the human form. Despite the seriousness of the subject matter, the artwork has a playful, child-like quality and his use of vivid colours is striking against the back drop of the black walls.
There are two main rooms in the Mason’s Yard White Cube. In the first, Plessen’s work is presented in a dimly lit room with black painted walls, which add an air of drama. In the larger space down stairs, the walls are white, which created a lighter atmosphere. In addition to the larger works of art displayed in the two main rooms, I loved Plessen’s smaller ink on paper works in the lobby, which showed a completely different side to the artist. I was also thrilled to have caught a glimpse of the founder of the White Cube dynasty, Jay Joplin, and his new beau!
While I tend to prefer my galleries on the larger side, allowing me to get lost within the space, I absolutely loved this exhibition and was immediately transported into Plessen’s world. It's definitely worth a visit for anyone who's a fan of vivid, modern art.
Magnus Plessen
‘The Skin of Volume’
White Cube
Mason’s Yard
Dates: Now until 14th January 2017
http://whitecube.com/
Elinor Seath
In this exhibition, Magnus Plessen presents a series of provocative images exploring the impact of war on the human form. Despite the seriousness of the subject matter, the artwork has a playful, child-like quality and his use of vivid colours is striking against the back drop of the black walls.
There are two main rooms in the Mason’s Yard White Cube. In the first, Plessen’s work is presented in a dimly lit room with black painted walls, which add an air of drama. In the larger space down stairs, the walls are white, which created a lighter atmosphere. In addition to the larger works of art displayed in the two main rooms, I loved Plessen’s smaller ink on paper works in the lobby, which showed a completely different side to the artist. I was also thrilled to have caught a glimpse of the founder of the White Cube dynasty, Jay Joplin, and his new beau!
While I tend to prefer my galleries on the larger side, allowing me to get lost within the space, I absolutely loved this exhibition and was immediately transported into Plessen’s world. It's definitely worth a visit for anyone who's a fan of vivid, modern art.
Magnus Plessen
‘The Skin of Volume’
White Cube
Mason’s Yard
Dates: Now until 14th January 2017
http://whitecube.com/
Elinor Seath
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